Simchat Beit Hashoavah: The Water-Drawing Festival

A Sukkot ritual from ancient times

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Excerpted from Celebrate! The Complete Jewish Holiday Handbook. Reprinted with permission of the publisher. Copyright 1994 by Jason Aronson Inc.

At this most joyous season of the year, with all the electric anticipation along the caravan trails, the stirring ceremonies, and the lively singing and feasting, the epitome of celebration took place surrounding a water ritual: the Rejoicing (Simchat) at the Place of (Beit) the Water Drawing (Hashoavah). 

Every day of the year, after the sacrifice was burned, an offering of wine was poured on the altar. During Sukkot, there was also a water libation (nisukh hamayim). Some have suggested that it was a folk rite, an inducement for rain made by pouring out water at the season's onset, transformed by the rabbis into a symbolic Temple ritual.

Each morning of Sukkot, the priests went to the pool of Siloah (Silwan) near Jerusalem to fill a golden flask. Shofar blasts greeted their arrival at the Temple's Water Gate. They then ascended and poured the water so that it flowed over the altar simultaneously with wine from another bowl. When the priest was about to pour the water, the people shouted "Raise your hand!" because of an incident that occurred in a previous year: The high priest Alexander Jannaeus (103‑76 B.C.E.) showed contempt for the rite by spilling the water at his feet, a transgression for which worshippers threw their citrons at him.

The pelted priest had demonstrated his alliance with the Sadducees, who literally followed Torah and only what was specifically in Torah. (Explained as an oral instruction given to Moses at Sinai, this water rite was not mentioned in The Five Books.) The deliriously happy celebration connected with the water drawing developed when the Pharisees (who believed in the Oral Tradition and interpretation of Torah and gave us the rabbinic Judaism we know today) triumphed over them in the first century.

Based on Isaiah's promise "With joy shall you draw water out of the wells of salvation" (12:3), rejoicing began at the end of the first day and took place every night except Shabbat. Talmud recorded that "one who had never witnessed the Rejoicing at the Place of the Water Drawing had never seen true joy in his life." (Although the celebration was for the libation that would be made the next morning it was named for the preparation for the ritual‑-the water drawing-‑which the rabbis said showed that getting ready was sometimes of greater merit than the mitzvah itself because of its positive effect on the person doing it.)

The Talmud describes the festivities in detail, from the lighting of immense candelabrum set in the Temple courtyard (each holding gallons of oil and fit with wicks made from priests' worn‑out vestments), which generated such intense light that they illuminated every courtyard in the city. A Levite orchestra of flutes, trumpets, harps, and cymbals accompanied torchlight processions, and men who had earned the capacity for real spiritual joy through their purity, character, and scholarship danced ecstatically to the hand‑clapping, foot-stomping, and hymn‑singing crowds.

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Lesli Koppelman Ross is a writer and artist whose works have appeared nationally. She has devoted much of her time to the causes of Ethiopian Jewry and Jewish education.