Words as Witness
The song-poem in this parashah shows that words do more than narrate and describe.
Words as Witness in Kenya
Since early 2008, when waves of post-election violence wracked Kenya, an extraordinary coalition calling itself the Concerned Kenyan Writers has been leveraging these functions of the word. Shortly after the violence broke out, a group of "poets, writers and storytellers" began penning an "alternative account of the violence that shook Kenya." The writers sought to convey the complexity--and humanity--of what they saw: in the words of Kenyan writer Shalini Gidoomal "to wade into the thick of analysis and discussion during the conflict at a time when sensational, dehumanising images were conveying a simplistic story of barbarism to the world."
The result was a powerful collection of work--including poetry, testimonials, and short stories--that ultimately became part of the record of the Waki Commission's inquiry into the violence. One such piece, "Translated from Kibakizungu" by Wambui Mwangi, urgently plies its audience:
"Where is this person who will … give Kenyans a credible reason to stop this violence and to find new ways of expressing our fears and our frustrations? Who will explain us to each other, who will clarify… our challenges of salvaging and rebuilding our battered selves…? Who will convince us that this untidy, resentful, sullen, bleeding, wounded, bewildered, defensive, psychotic, irrational, betraying, dangerous place we call home, this our Kenya, has any point left to it at all?"
Mwangi, I think, has answered her own questions: It is those writers and artists like herself who will "explain us to each other," compelling action upon such "explanations."
Opening ourselves to the peculiar power of words is vital to the project of doing justice in a global context. Listening for the songs and poems of those with whom we work in solidarity helps us learn the shape of justice--schooling us in overlooked details and barely-audible stories; teaching us of the complexities and toll of living with violence, disease, want or injustice. Most critically, these words can serve as actors in their own right--unhardening hearts, compelling action, bearing witness.
And it is thus that Moses' end-of-life supplication is enacted (Deut. 32:46-47): "Take these words to your heart . . . because it is not an empty thing for you: It is your very life…."
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